the geese of Konrad lorenz
To Simone Fattal, the present is riddled with memories, myths and a ghostly symbolism. At Klosterruine, she stages an anachronistic and interreligious scene. In order of appearance: an Algerian commander, a pope, two angels and a god with 99 names. Fattal’s haptic and intuitive sculptures render history a material that requires constant molding. Reminiscent of Walter Benjamin’s “angel of history”, the spectator is invited to follow the invisible gaze of Fattal’s angels and see what they see: Ruins amongst ruins.
Simone Fattal was born in Damascus, Syria, and raised in Lebanon, where she studied philosophy at the École des Lettres in Beirut. She then moved to Paris, where she continued her philosophical pursuits at the Sorbonne. In 1969 she returned to Beirut and began working as a visual artist, exhibiting her paintings until the start of the Lebanese Civil War. She left Lebanon in 1980 and settled in California, where she founded the Post-Apollo Press, a publishing house dedicated to innovative and experimental literary works. In 1988 she enrolled at the Art Institute of San Francisco, to return to her artistic practice and a newfound dedication to sculpture and ceramics. Her work has been exhibited internationally in institutions such as MoMA PS1, Lille métropole Musée d’Art Moderne, Punta della Dogana, Pinault Collection, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, National Museum of Qatar, Doha (all 2019); Musée Yves Saint Laurent Marrakech (2018); Château de Rochechouart Contemporary Art Museum (2017); and Sharjah Art Foundation (2016).
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